Clare T. Walker

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writing tip: hire a professional to design the cover of your book

August 21, 2014 by Clare T. Walker

When I was close to finalizing the manuscript for Startling Figures, I used my daughter’s iPad and a drawing app to finger paint a few (bad) sketches. I emailed them to Tom, the cover designer, to give him an idea of what I was looking for in the cover:

image-1

image A

image-2

image B

startling figures sketch-2

image C

startling figures sketch-3

image D

I also put together a mock-up cover:

Clare's mock-up cover of Startling FiguresAwful, right?

Tom has not read any of the stories in the book. All he’s read is the back cover copy and this quote from Flannery O’Connor, which I use for the epigraph:

to the hard of hearing you shout, and for the almost blind

you draw large and startling figures

Tom is a creative director at an ad agency, and a talented graphic designer and artist. Here’s what he came up with:

Startling-Figures cover resized smaller

Need I say more?

Unless you have actual design, photography, and / or artistic skill, access to professional graphic design and image creation tools, and so on, don’t design your own book cover. Leave that to the professionals.

Thanks, Tom!

Just for fun, take this poll:

Which of Clare’s cover mock-up drawings is the most lame?

 
pollcode.com free polls

 

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writing tip: always read your manuscript out loud

August 16, 2014 by Clare T. Walker

Startling Figures is almost ready to publish. I got the cover, spine, and back cover mock-up from the designer and I uploaded a “final” manuscript to CreateSpace.

The book looks very good on the document review screen, but here’s the reason for today’s writing tip, and the reason the word “final” is in quotes above:

When I read the manuscript out loud, I found a punctuation error in the very first sentence! This is after reading it countless times myself and having several beta readers go through it. It amazed me that I didn’t catch the error until I read a facsimile of the formatted document out loud.

Reading your work aloud forces you to slow down and enables you to catch “sour notes,” awkward phrases, and other writing blunders that the brain skips over when reading silently. (Another reason I was able to catch errors in the formatted, pre-publication mock-up may be that Times New Roman–the font I used to compose the stories–is very compact, but Garamond–the typeface I chose for the book–is much more open.)

Other errors I found:

Toward the bottom of the screenshot, at the left margin:

Screen shot 2014-08-14 at 1.30.47 PM

There are so many “wounds” in this paragraph, they’re stacked three deep!

The word “and” is missing from one of the sentences below:

Screen shot 2014-08-14 at 1.43.29 PM

Try reading this out loud:

John stepped toward Yvette with a sheepish smile. “What do you think, honey?”

I can’t even say “sheepish smile” once, slowly, let alone five times fast! I forgot to get a screenshot of “sheepish smile,” but here’s how I changed it:

Screen shot 2014-08-14 at 5.17.29 PM

I finished my third read-aloud last night — even then I was making corrections! It’s time consuming and your voice gets tired, but it’s worth doing to find problems now rather than at the first public reading of your work.

If you’d like to receive a quick email from me when the book is published, go ahead and fill out the little form below:



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