Clare T. Walker

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Children of Bridget Jones

October 13, 2021 by Clare T. Walker

photo by Clare T. Walker

 

I went to my mom’s house unannounced, as I am wont to do, and found that she was out, as she is wont to be.

No matter. Being English, like my mom, I put the kettle on for a cup of tea and went in search of a book to read while I waited for her to come home.

I picked up Helen Fielding’s 1996 novel, Bridget Jones’s Diary. Not the sort of thing I’d normally be interested in, but at the time I figured it was better than nothing.

I enjoyed Bridget’s New Year’s Resolutions and Chapter One enough to bring the book home and add it to my stack o’ books, teetering alongside the other books I was reading at the time, including P.D. James’s Children of Men (1992).

As I read on, it occurred to me that these two books, even though they differ widely in genre, style, and intended audience, actually have quite a lot in common.

Each book chronicles about one year of elapsed time: Bridget’s fictional diary begins on January 1 and ends the day after Christmas, and P.D. James also begins her book with a January 1st journal entry by the main character, Theo Faron. Both contain first person point-of-view elements (Bridget Jones more than Children of Men) Both are intensely personal, providing the reader with access to the innermost and secret thoughts of the main character.

Some major differences, of course: Fielding’s main character, Bridget, is feckless, stupid and hilariously funny. James’s main character, Theo, is thoughtful, intelligent and serious.

Bridget Jones’s Diary is a romantic comedy that ends with Bridget in a relationship with a good man instead of the insufferable twit she’d been after for the past 11 months.

Children of Men is a dystopian novel about the end of humanity…and its new beginning…amid murder, mayhem, mass euthanasia, betrayal, and hopelessness.

As I read Bridget Jones’s Diary, I laughed out loud at Bridget’s antics and at Fielding’s inimitable turn of phrase. Bridget is a comic masterpiece who describes her misadventures with hilarious honesty. She drinks too much, smokes too much, and eats too much, and constantly obsesses about how much she drinks, smokes, and eats, continually makes resolutions to improve herself, but never, ever does. She berates herself for sleeping with her boss, vows not to do it again, but does it again many times over. She vows to stop being late for work, but that very morning doesn’t get out of the house until 10:30. She is so lacking in self-knowledge that she turns a sensible meal of shepherd’s pie for a few friends into a gourmet meal for 16 that was to have concluded with Grand Marnier soufflés, but ten minutes before her guests were due to arrive she had stepped in the dinner and she still hadn’t dried her hair.

Details may vary, but is this not a description of just about everyone’s life? Including mine? The struggle with vice, bad habits, laziness, inconstancy, habitual sin. The waffling back and forth from an exalted view of ourselves that bites off more than anyone could possibly chew to wallowing in self-pity as we watch stupid YouTube videos or doom-scroll on our smartphones.

Bridget has little to live for except for those few dropped pounds on the scale, that evening at the pub with her friends, the momentary excitement and comfort of sex with someone new.

Bridget is fictional, but, I wonder: how could the Gospel of Jesus Christ reach someone like her in the real world? She knows that her life is meaningless and pathetic and she longs for something noble and sublime. Yet, I have a feeling that if she ever met a real Christian who tried to share the Gospel with her, she would smile politely while inwardly cringing, and try to extricate herself from the encounter as quickly as possible.

In Children of Men, the entire human race has become sterile. No babies have been born for 25 years. The people of this world know that they are the last of their kind and they believe that without the future promised by the presence of children in the world, life is meaningless. P.D. James constructs a terrifying dystopia around this idea and answers the question of how a society without God would contemplate its own demise. Life in such a society is “solitary, poor, nasty, brutish, and short” (Leviathan i. xiii. 9 by Thomas Hobbes). The aged demonstrate their hopelessness by mass suicide. The young demonstrate theirs by acting out in anger and in reckless, indiscriminate violence.

If the fertility crisis James creates in her fictional future were ever to come true in the real world, I have no doubt that secular human society would deteriorate in much the way it does in her book, because in some ways her dystopia is already here. Euthanasia of the aged is practiced regularly in the Netherlands and they are contemplating it in rapidly aging Japan. In some countries the number of abortions exceeds the number of live births. The terminally-ill and severely brain-damaged are put to death every day in this country, although mostly without the furor surrounding the 2005 death-by-starvation of Terry Schiavo. In many parts of the world, violent lawlessness is commonplace and on the rise.

I think—I hope–people of faith would handle news of the end of the world differently, just as I hope people of faith are able to find meaning in everyday life the way Bridget Jones is not.

My pastor is fond of saying, “Live every day as if it were your last, because one of these days you’re going to be right.” One of the reasons I’m profoundly un-interested in “end-times” predictions, doomsdays, reported appearances of the anti-Christ, and so on, is because the timing of the world’s ending doesn’t really matter: each one of us is already hurtling toward our own personal apocalypse (from the Greek word meaning “to reveal,” “to unveil”). True, we must always be ready, for we “know not the day nor the hour,” and we must learn to read “the signs of the times.” But fretting about the end of the world does little more than distract us from the real work of living well now.

We can take nothing with us, yet…

Gladiator (2000, DreamWorks and Universal Pictures, dir. by Ridley Scott)

 

 

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Filed Under: Literature, Reviews Tagged With: apocalypse, Bridget Jones's Diary, Children of Men, dystopia, dystopian literature, Gladiator, Helen Fielding, P.D. James, romantic comedy

C.S. Lewis book discussion series at Wheaton College’s Wade Center

August 11, 2017 by Clare T. Walker

Hey, Chicago area peeps! Did you know that we have, in our little old suburb of Wheaton, Illinois, one of the largest repositories of C.S. Lewis stuff in the world? It’s at the Wade Center on the campus of Wheaton College (corner of Washington St. and Lincoln Av. in Wheaton). This fall they are having a Saturday morning book discussion on The Letters of C.S. Lewis. Starts Sat. Sep 9 and goes through Sat. Nov 18. It’s FREE! Email the Wade Center at wade@wheaton.edu or call 630.752.5908 to RSVP.

And don’t forget to acquire a copy of the book! 

Filed Under: Authors, Events, Literature

review of Startling Figures appears in National Catholic Register

January 3, 2017 by Clare T. Walker

I got a pleasant surprise today when browsing the National Catholic Register–I came across an article called Familiar Names Appear Among Latest Literary Offerings, a review of books written by Register contributors. Couldn’t help noticing the cover of my short story collection in the image accompanying the piece:

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Sarah Reinhard, author of the article, wrote:

Mostly, I had fun reading these books. They’re curl-up-on-the-couch good, though they’re definitely for adults (or older teens, though I’d recommend you preview them first). My older daughter has aspirations toward veterinary medicine, and I think Walker’s characters will likely appeal to her … but at almost-12, I’m not sure if the nature of these stories (and what I’ve read so far of Keys) is quite appropriate.

Reinhard’s take is spot on: Startling Figures and The Keys of Death are edgy, gritty, realistic, contemporary stories meant for adults and older teen readers. My bad guys are really bad and they do bad things! They say bad words! (Sometimes even the good guys say bad words…). Some situations are intense. Adult relationships are tastefully depicted (nothing explicit) but some parents may prefer that their children be a certain age before reading.

She concludes with this observation:

Walker has taken on suspense/thriller fiction from a Catholic perspective, without watering down the “real” aspect of things.

This is exactly what I was going for in both books. Well done, Sarah, and thanks for your kind assessment!

You can read more from Sarah Reinhard on her blog, Snoring Scholar and at the National Catholic Register.

Here are the URLs in case the links above are broken or go astray:

http://www.ncregister.com/daily-news/familiar-names-appear-among-latest-literary-offerings

http://www.ncregister.com/blog/sarah-reinhard

http://www.snoringscholar.com/

http://www.ncregister.com

Filed Under: Literature, Reviews, Startling Figures, The Keys of Death Tagged With: book reviews, National Catholic Register, reviews, Sarah Reinhard, Startling Figures, The Keys of Death

book review published: The Inklings

January 26, 2016 by Clare T. Walker

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Just a quick heads up: here’s a book review of mine that appeared in the National Catholic Register:

“Inklings Introduced” http://www.ncregister.com/site/article/inklings-introduced (2/2/16)

Enjoy!

 

 

 

 

Filed Under: Authors, Literature, Reviews Tagged With: book reviews, C.S. Lewis, Charles Williams, J.R.R. Tolkien, Owen Barfield, The Inklings

my short fiction appears in Prairie Light Review, Spring 2015

May 14, 2015 by Clare T. Walker

 

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Last night I went to the launch party of Prairie Light Review, the art and literature magazine of the College of DuPage. I have a piece of fiction / poetry? / something… in the Spring 2015 issue (the one on the right in the photo above.) The piece is called “This One, At Last, is Bone of my Bones and Flesh of my Flesh.”

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I’ve been to several PLR launch parties, and this one was by far the most “chill.” In past years they’ve featured live bands, a silent auction fundraiser, an artist creating an original work of art during the party, award-winning short dramas, but this time they skipped all that and focused on the work. About a dozen people read at the microphone, and easels of featured artwork were on display.

Instead of reading the piece that appears in the issue, I read the first chapter from the third story in Startling Figures, vol. 1.

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The visual appearance of this year’s Prairie Light Review is truly stunning. I applaud the production editor, Monica Dinh, who designed the two issues this year. The presentation of the visual and written art is beautiful. She used white pages with black text and black pages with white text — whichever showcased the visual art the best.


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I also liked the way she sometimes turned the journal on its side and presented the text and artwork in landscape mode:

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In a blind selection process, Monica’s oil painting “When the Sounds Stop” was also chosen as the cover of the Fall 2014 issue (the one on the left in the photo at the top of this post).

So, I’m very pleased and proud to have my work featured in this exceptional student-run journal of art and literature! I want to acknowledge the fine work of Editor-in-Chief German Sosa, Marketing Editors Charlie Burrows and Jake Barber, copy editor Julia Andersen (whose lovely poem “Tiny Hands” appears in the spring issue), associate editor Karen F. Forslin-Bojnansky, assistant editors Earnest Bickerstaff, Myra Brygette Lopez, and Angela Ferdinardo, and faculty advisor Trina Sotirakopulos.

2000 copies were printed, and if you’re in the western Chicago suburbs and you happen to be in Glen Ellyn, you can stop by the College of DuPage and pick up your free copy of PLR Spring 2015. They usually have stacks of them around about, especially outside the library, the bookstore, the MacAnnich and the various lounges.

Links:

Prairie Light Review page on the COD website

PLR facebook page

 

Filed Under: Literature Tagged With: art, College of DuPage, literature, Prairie Light Review

in honor of NBC Nightly News anchorman Brian Williams, it’s Delusions of Grandeur Week!

February 10, 2015 by Clare T. Walker

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In honor of NBC Nightly News anchorman Brian Williams, it’s Delusions of Grandeur Week at Clare T. Walker.com!! Do you have an amazing or heroic deed you wish you’d done? Do you wish your life was more exciting than it is? Do you have a rather bland tale that you can embellish beyond all believability in order to draw attention to yourself? You’ll get your chance — read on!

Brian Williams’ credibility crisis reminds me of a fictional genre oft-neglected these days: the tall tale.

“A tall tale is a story with unbelievable elements, related as if it were true and factual…Tall tales are often told in a way that makes the narrator seem to have been a part of the story.”

(Wikipedia)

Famous tall tales from American literature and folklore include Paul Bunyan and Babe the Blue Ox, Pecos Bill, Johnny Appleseed, John Henry, and Casey Jones.

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In Ireland and Scotland we have Finn MacCool, who, among other great feats, built the Giant’s Causeway. And who can forget Robert Service’s hero from the Great White North, Sam McGee?

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Also known as “whoppers” and “fish stories,” the genre may also include urban legends, and more broadly myths, legends, and some hagiography. The Western seems to mix well with the tall tale: In Owen Wister’s 1902 classic Western The Virginian, the title character defuses tensions and forestalls a simmering mutiny among the cattlehands by telling a tall tale having to do with frogs’ legs. Annie Proulx’s 1999 collection of short stories (Close Range) features a tall tale called “The Blood-Bay.”

Tall tales are lots of fun to read, and even more fun to write, especially when you’re lampooning a public figure who’s made a doofus of himself on the national stage.

Just last week, I was shoveling my driveway after the record-setting snowfall here in the Midwest. It snowed for 28 days straight, and I had to shovel sideways from my porch for about one hundred yards before I could finally shovel up. It took me 7 days to reach the surface, and when I finally emerged, I realized I had miscalculated my shoveling angle and must have been heading east on a pretty steep diagonal, because I found myself standing right outside the windows of the Sky Deck of Willis Tower downtown. Oops! But it turned out to be a happy mistake, because the entire Sky Deck was engulfed in flame! I used my handy diamond glass cutter (which I just happened to have with me) to cut a neat, circular hole in the window. I then had everyone on the Sky Deck luge down the snow chute I had constructed. Within a few moments, everyone had reached the safety of my front porch. Fortunately, I had just made a monster batch of chili in my 4 dozen crockpots, so I was able to feed everyone while they waited for their loved ones to come get them.

Now here’s your chance: share your own tall tale in the comment box below. Let’s see how much fun we can have! 🙂

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Filed Under: Creativity, Literature

massive Lewis and Tolkien geek-out at Wheaton College

January 28, 2015 by Clare T. Walker

On January 7, 2015 the air temperature was a whopping 1 degree Fahrenheit, and that’s without the wind chill factor. Whatever. Here in Chicago we eat that kind of weather for breakfast, especially when compared to the weather almost exactly one year previously:

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So instead of spending my day off wrapped in a warm, fleecy blanket sipping cups of steaming, hot herbal tea, I went with 3 students who are members of SPLANCHNICS,[1] a young adult fiction-writing workshop I lead.

Where did we go? To see the wardrobe, of course. Not just any wardrobe, but The Wardrobe, as in the one built by C.S. Lewis’s grandfather, kept in the home Lewis grew up in, and later moved to his home near Oxford University and kept in the front hall. The one that inspired The Lion, the Witch and the Wardrobe. And we also saw the very desk upon which J.R.R. Tolkien wrote, edited, typed and illustrated The Hobbit. These wonderful objects of literary memorabilia are in the permanent collection of the Marion E. Wade Center, on the campus of Wheaton College in Wheaton, Illinois.

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outside the Wade Center on Jan 7, 2015

The collection began in the 1950s, when Dr. Clyde S. Kilby, a professor of English at Wheaton College, began corresponding with C.S. Lewis. They wrote each other letters right up until Lewis’s death in 1963. By that time, Kilby was also friends with Tolkien, and actually assisted in the compilation and editing of The Silmarillion.

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a letter written by C.S. Lewis to Clyde S. Kilby. TWHF refers to Lewis’s 1956 novel “Till We Have Faces.”

Kilby donated his Lewis letters to Wheaton College, and they were originally housed in the college library. In 1974, the family of the late Marion E. Wade (a Chicago-area businessman and fan of C.S. Lewis) donated the funds to create a dedicated center for the growing collection that by then included letters, manuscripts, books, and artifacts from seven authors the collectors considered of monumental importance to modern British literature and Christian thought: C.S. Lewis, J.R.R. Tolkien, Charles Williams, G.K. Chesterton, Dorothy L. Sayers, Owen Barfield, and George Macdonald. At the Wade Center, they are affectionately called “the Seven,” (as in “the Seven have left Minas Morgul.” Just kidding.)

a letter written by J.R.R. Tolkien

a letter written by J.R.R. Tolkien

a letter written by Dorothy L. Sayers

a letter written by Dorothy L. Sayers

a letter to Dorothy L. Sayers, written by G.K. Chesterton

a letter to Dorothy L. Sayers, written by G.K. Chesterton

The Wade Center, nestled unobtrusively in the cozy campus of Wheaton College, contains one of the most complete collections of C.S. Lewis documents and memorabilia in the world, including hundreds of letters, over 2,000 volumes from his personal library, and many of his personal effects:

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The Wardrobe is definitely a highlight of the visit…

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A young person trying to get to Narnia through the wardrobe!

The Center also has one of the largest collections of “Chestertonia,” (G.K. Chesterton stuff), and all sorts of things owned by Tolkien and Sayers and the other authors.

The desk upon which Tolkien wrote, revised, typed and illustrated The Hobbit

The desk upon which Tolkien wrote, revised, typed and illustrated The Hobbit

The Kilby Reading Room, however, is the real treasure of the Wade Center. They have at least one copy of every book written by the seven authors, vast scholarship by and about them, hundreds of letters, original manuscripts, inscribed and annotated books from the authors’ personal libraries—it’s a vast collection. I was so entranced by the authors’ handwritten letters that I bought myself a fountain pen. When I got home, I started reading The Silmarillion, and rewatched the special features documentaries about Tolkien in my Lord of the Rings DVDs.

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The Seven are:

Owen Barfield, 1898-1997

Owen Barfield

Owen Barfield

Not well-known by the general public, but his writing and scholarship had an enormous influence on both Lewis and Tolkien. He was one of The Inklings, the informal literary society of which Lewis, Tolkien, and Charles Williams were also members. The Lion, the Witch, and the Wardrobe is dedicated to Barfield’s daughter, Lucy.

G.K. Chesterton, 1874-1936

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G.K. Chesterton

Prolific author of fiction, essays, political and social commentary, poetry, Christian apologetics, you name it. For many years, he gave very popular talks on BBC Radio. He’s famous for wittily turning common sayings on their heads. (“If a thing is worth doing, it’s worth doing badly.”) His most well-known works include the Father Brown mysteries, The Man Who Was Thursday, and Orthodoxy. His book The Everlasting Man influenced C.S. Lewis profoundly.

C.S. Lewis, 1898-1963

C.S. Lewis

C.S. Lewis

The author whose works inspired Professor Kilby to start the collection at Wheaton College. He was a professor of English literature at Oxford University, and, like Chesterton, wrote Christian apologetics (Mere Christianity, The Screwtape Letterx, others) and gave well-received talks and radio addresses. His fiction includes The Chronicles of Narnia, a trilogy of science fiction novels known as the Space Trilogy, and an excellent fantasy novel called Till We Have Faces.

George MacDonald, 1824-1905

George Macdonald

George MacDonald

MacDonald is the only one of the seven who was not a 20th century author. He wrote in the 19th century. He’s not a household name like a few of the others, but he had an enormous influence on Lewis and Chesterton especially. He’s sometimes called “the father of the Inklings.” His children’s books are At the Back of the North Wind, The Princess and the Goblin, and The Princess and Curdie, and his fantasy novels are Phantastes and Lilith. C.S. Lewis wrote, “Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later, I knew that I had crossed a great frontier.” G.K. Chesterton said that MacDonald’s The Princess and the Goblin “made a difference to my whole existence.”

Dorothy L. Sayers, 1893-1957

Dorothy L. Sayers

Dorothy L. Sayers

Dorothy L. Sayers is familiar to many mystery readers as the creator of amateur sleuth Lord Peter Wimsey. Her translation of Dante’s Divine Comedy is considered one of the best. As a woman in those days, she was not admitted to the exclusively male ranks of The Inklings, although she was friends with C.S. Lewis and Charles Williams. She, like Lewis, and Chesterton, was a “lay theologian” and wrote Christian non-fiction, The Mind of the Maker being the most notable example. Her essay “The Lost Tools of Learning” serves as a manifesto for the classical education and home-schooling movements.

J.R.R. Tolkien, 1892-1973

J.R.R. Tolkien

J.R.R. Tolkien

With the publication of The Hobbit and The Lord of the Rings, Tolkien might be single-handedly responsible for the entire genre of modern fantasy literature–or at least its 20th-century revival. He was a linguist, a philologist, and a professor at Oxford University. He worked on his magnum opus on and off for decades. The Silmarillion was published after his death (and we owe his youngest son Christopher a great debt for all the work he did compiling his father’s piles and piles of notes, fragments, and stories, some finished and some unfinished, into publishable form.) What I find interesting about Tolkien is that he did not set out to be a fiction author, but he created Elf languages just for fun and then constructed a fictional world to explain the development of the languages. As an exercise in world-building, Middle-Earth is an incredible achievement.

Charles Williams, 1886-1945

Charles Williams

Charles Williams

Williams made his living as an editor at Oxford University Press, but his real profession–his true vocation, perhaps–was scholar and author. He was a “lay academic:” he wrote, published and lectured on scholarly topics even though he lacked a university degree. He was also an accomplished poet and author of “supernatural thrillers” (The Place of the Lion, War in Heaven, Descent Into Hell, others). And, like Lewis, Chesterton, and Sayers, he was a “lay theologian:” Descent of the Dove: A History of the Holy Spirit in the Church and He Came Down From Heaven.

one of my favorite sections of my bookshelf at home

one of my favorite sections of my bookshelf at home

LINKS

The Marion E. Wade Center An excellent and absorbing website. For each author, they have a “Where to Begin Reading” section, which is nice because some of the authors a bit obscure, and some are so prolific one hardly knows what to read first. The links I’ve provided below are not exhaustive, but they’ll get you started.

Official Website of the Owen Barfield Literary Estate

The American Chesterton Society

Into the Wardrobe: A C.S. Lewis Website C.S. Lewis’s stepson Douglas Gresham has written an introduction to this site.

The Golden Key (George MacDonald site)

The Dorothy L. Sayers Society

The Tolkien Society

The Charles Williams Society

“A Literary Pilgrimage” An article I wrote for the National Catholic Register.

“Things Altogether Unexpected” a video produced by the Wade Center in 2012 to commemorate the 75th anniversary of The Hobbit.

[1] SPLANCHNICS stands for Society for the Preservation of Literature, the Arts, Numinosity, Culture, Humor, Nerdiness, Innovation and Creativity in Storytelling. Sometimes I forget what all the letters stand for and substitute “Inspiration” for “Innovation.”

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The use of the word “splanchnic” as an anagram name for a club is not original with me. It was the name chosen in the 1980s by a literary society under the sponsorship of Dr. U. Milo Kaufman, professor of English at the University of Illinois at Urbana-Champaign. They came across the word “splanchnic” during a game of Dictionary and it just snowballed from there. (“Splanchnic” is a real word — it refers to a major artery and vein in the body that bring blood to and from the intestines.) Yes, I was a member, but I joined the group after they had already chosen the name. I took two classes from Dr. Kaufman: Science Fiction and The Literature of Fantasy. They were two of my favorite college courses ever. I still have my notes.

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Filed Under: Authors, Literature

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The Keys of Death – a veterinary medical thriller

Startling Figures: 3 stories of the paranormal

Tooth and Nail: a novelette

Look At Me: a novelette

The Fellowship: The Literary Lives of the Inklings

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Homeland: The Legend of Drizzt – Book 1 by R.A. Salvatore

Exile: The Legend of Drizzt – Book 2 by R.A. Salvatore

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