Clare T. Walker

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happy 50th birthday, Star Trek!

September 8, 2016 by Clare T. Walker

Star Trek and I were born in the same year: 1966. Naturally, I missed the show in its original broadcast run on NBC from that year until it ceased production in 1969, but since the show was so successful in syndication in the 1970s and 80s, I grew up with it. My brothers and I could usually find an episode playing once or twice a week, maybe more, even though back then we could count our TV channels on one hand. For a while there we even had a Star Trek Saturday morning cartoon, and once the movies started coming out I went to all of them—one movie every two or three years from 1979 until 1991.

Captain Kirk

My appreciation of the show was avid but not excessive. I’d seen all the episodes several times and knew a fair amount of Star Trek trivia, but I wasn’t a Trekkie. I checked out Star Trek books from the library, but never wrote any fan fiction of my own. For some reason I had a Captain Kirk poster in my dorm room at college, but I never went to a Star Trek convention. By the time I finished grad school and embarked upon my adult life of family and work responsibilities, I had drifted away from TV almost entirely. I guess you could say I had “gotten a life.” I had “moved out of my parents’ basement and grown the hell up.”
Then, in 2006, both Star Trek and I turned 40. It occurred to me that my children were growing up in a world where the Starfleet communicator and Uhura’s earpiece had become essential personal accessories, where the sophistication of those little square computer tapes had been exceeded, and where you really could make entries into a notebook-size computer with a stylet pen. Allusions and references to the original series were commonplace.
The children were certainly old enough to enjoy and appreciate Star Trek, so why not? I went down to the library and checked out as many DVDs of the original series as they had available, plus my favorite of the six movies–Star Trek II: The Wrath of Khan. And there we sat on mid-winter evenings, bundled on the couch in blankets, munching on popcorn, going where our little family had never gone before.
I suppose if this is the extent of my mid-life crisis—reliving my geeky childhood—I can count myself lucky.

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I knew I was onto something when one of my kids, after flipping through the latest stack of library DVDs, said, “We’ve seen all these. Are there any more?” Or when my kids would sit at the kitchen table gnashing their teeth over their homework, muttering to themselves, “Study, study, study! Or bonk bonk, bad kids!” Or when Number One Daughter raises a Vulcan eyebrow and declares, “That is not logical.” Or, worse, when someone sings, “Ah-ah-ah-ah…scrambled eggs” to the tune of Spock’s horrible song in the episode “Plato’s Stepchildren.”
Somehow, despite the dated, bongo-laden opening theme music, the low-tech special effects, and beehive hairdos of the original series, and amid the beeping and squawking of a CGI-savvy, handheld game system-playing bunch of children, the next generation of Star Trek fans was born. I think this is because the artistic and cultural achievement of Star Trek transcends its stylistic appearance and any technological limitations of the show’s production. The stories speak for themselves, they speak universally, and they stand up under scrutiny over time, which I believe are the criteria for a work of imagination to earn the title “classic.”
When I began introducing my children to Star Trek, I was actually reintroducing myself to it. I hadn’t seen an episode of the original series in probably 20 years and hadn’t seen a Star Trek movie since the theatrical release of Star Trek VI in 1991. I had only experienced Star Trek as a child, as a teenager, and as a young adult.
At the age of 40 I came back to Star Trek with freshness, maturity, and a perspective formed by over twenty years as an adult. I saw and took note of things that had eluded me before. I discovered that the stories I had enjoyed so much as a child were even more appealing and entertaining to me now. Star Trek has universal appeal.

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Now, in 2016, both Star Trek and I celebrate our 50th birthdays. Star Trek has rebooted and presents a fresh vision of itself. Geek culture has emerged from the basement and become synonymous with pop culture, and people are rediscovering the 80s. Case in point: my brothers and I are now playing Dungeons & Dragons with our offspring and our mom!
So, happy 50th birthday, Star Trek! See what you started?

 

Filed Under: Reviews, Science Fiction Tagged With: 80s, D&D, Dungeons & Dragons, eighties, geek culture, nerd culture, pop culture, Star Trek, Star Trek The Original Series

I, Robot by Isaac Asimov

January 20, 2015 by Clare T. Walker

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What I’m reading now: I, Robot by Isaac Asimov

This is an oldie-but-goodie. It’s a “novel-in-stories,” or, if you prefer, a volume of linked short stories. All were previously published (most in Astounding Science Fiction from 1941-1950, one in Super Science Stories in 1941.) The original hardcover edition came out in 1950. My paperback edition was printed in 1970.

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The epigraph in the front of the book gives us the famous 3 Laws of Robotics: 

  1. A robot may not injure a human being, or, through inaction, allow a human being to come to harm.

  2. A robot must obey the orders given it by human beings except where such orders would conflict with the First Law.

  3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

Most of the stories show human beings solving technical glitches in robot behavior. The hinge upon which the solution turns is always a paradoxical and insoluble dilemma brought on by conflicts among the 3 Laws. The robot goes haywire, and it’s up to the human beings to reason out the answer.

The main character, Dr. Susan Calvin, is a robopsychologist: she knows how robots think. On more than one occasion, she outwits a robot and makes it self-destruct under a withering blast of circular, self-contradictory, inescapable logic. (No doubt she was the inspiration for Captain Kirk’s many similar head-to-head combats with computers and androids.)

Captain Kirk

Authors of linked stories construct a framing device to link the stories together. The framing device of I, Robot is a series of interviews conducted by an unnamed narrator. He interviews Dr. Susan Calvin and, offscreen presumably, two other characters, field technicians Powell and Donovan.

The stories span ten years in Asimov’s development as a writer and thinker, and they are presented chronologically in order of publication. They increase in complexity and sophistication, from a rather basic yet ground-breaking story of a robot babysitter[1] to a vision of a future world run by “thinking machines.”[2]

Examples of other excellent “linked stories:”

1001 Arabian Nights — A despotic prince marries a different woman every night and has her executed in the morning. His latest bride, Scheherazade, saves her life by captivating her new husband with a story. The story is so good that he puts off her execution until the next day just so he can hear another story. This goes on for 1000 more nights, and by the end of it, the prince realizes that he loves Scheherazade and decides not to execute her after all.

The Canterbury Tales by Geoffrey Chaucer — Various medieval characters travel together on a pilgrimage to the shrine of St. Thomas Becket. Along the way, each one tells his or her “tale.”

Dandelion Wine by Ray Bradbury, Winesburg, Ohio by Sherwood Anderson, and The Women of Brewster Place by Gloria Naylor — The framing device is time and place: all the stories take place one summer in the life of a 12-year old Midwestern boy in the 1920s (Dandelion Wine), in the fictional town of Winesburg, Ohio in 1919 (Winesburg, Ohio), and in the same decaying urban neighborhood (The Women of Brewster Place).

The Marian Chronicles by Ray Bradbury. Stories and vignettes in this collection are linked by their setting and theme: Earth of the future and the planet Mars.

The Things They Carried by Tim O’Brien — The stories are linked by the same situation — the Vietnam War — and are told mostly from the point-of-view of a first person narrator named “Tim.”

The Year We Left Home by Jean Thompson — Chronicles 30 years in the life of the same Iowa family. The stories are told from the points-of-view of the various members of the family.

The Jungle Book (1894) and The Second Jungle Book (1895) by Rudyard Kipling — Stories about animals and people in India. Many of them are about Mowgli: one of, if not the original, boy raised by wolves.

The Girls’ Guide to Hunting and Fishing by Melissa Bank — The framing device is the main character, Jane, who chronicles episodes in her life coming-of-age as a woman in the modern world.

The Watson Chronicles by Ann Margaret Lewis — This book contains a double framing device: a series of mysteries solved by Sherlock Holmes and his companions, and a blossoming romance between Dr. Watson and a young woman.

James Herriot’s autobiographical veterinary stories — All Creatures Great and Small, All Things Bright and Beautiful, All Things Wise and Wonderful, The Lord God Made Them All. As novels, each of the books is thinly plotted, serving as a frame for the entertaining anecdotes of Herriot’s life as a country animal doctor in northern England of the 30s and 40s. Most of the chapters stand alone as stories. Indeed, special collections of Herriot’s stories have been released: Dog Stories, Cat Stories, and various children’s picture books, later compiled as James Herriot’s Treasury for Children.

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[1] “Robbie.” First published as “Strange Playfellow” in Super Science Stories. 1940.

[2] “The Evitable Conflict.” Astounding Science Fiction. 1950.

Update 2021: My daughter and I discuss The Martian Chronicles and other linked stories in Season 2, Episodes 7 & 8 of our podcast, Splanchnics.

Filed Under: Genre Studies, Reviews, Science Fiction Tagged With: 1001 Arabian Nights, All Creatures Great and Small, Chaucer, Dandelion Wine, I Robot, Isaac Asimov, James Herriot, linked stories, novel-in-stories, Ray Bradbury, Rudyard Kipling, The 3 Laws of Robotics, The Canterbury Tales, The Jungle Book, The Martian Chronicles, The Second Jungle Book, The Watson Chronicles, The Women of Brewster Place, Winesburg Ohio

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The Keys of Death – a veterinary medical thriller

Startling Figures: 3 stories of the paranormal

Tooth and Nail: a novelette

Look At Me: a novelette

The Fellowship: The Literary Lives of the Inklings

Dungeons & Dragons Player’s Handbook, 5th edition

Homeland: The Legend of Drizzt – Book 1 by R.A. Salvatore

Exile: The Legend of Drizzt – Book 2 by R.A. Salvatore

Watership Down by Richard Adams

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